Somewhere over the rainbow, way up high. There’s a land that I’ve heard of once in a lullaby. Somewhere over the rainbow, skies are blue. And the dreams that. Keith Jarrett – Somewhere Over the Rainbow – YouTube.
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Generally speaking, I believe a transcription of a jazz player’s performance is not as sacrosanct as, say, a Beethoven score.
KEITH JARRETT TRANSCRIPTION- SOMEWHERE OVER THE RAINBOW
Yeah, he’s pretty good; that’s why I keep using him! Do you mean like this? The idea is not to follow an artificial rule but to play something that hopefully others can related to and enjoy. I’m just curious about this, not in terms of comparison, but in terms of a stand-alone arrangement Over the rainbow Lyrics Somewhere over the rainbow, way up high There’s a land that Keith jarrett somewhere over the rainbow heard of once in a spmewhere Somewhere over the rainbow, skies are blue And the dreams that you dare to dream Really do come true Someday I’ll wish upon a star And wake up where the clouds are far behind me Where troubles melt like lemon drops Keith jarrett somewhere over the rainbow above the chimney tops That’s where you’ll find me Somewhere over the rainbow, blue birds fly Birds fly over the rainbow Why then, oh why can’t I?
Keith Jarrett transcription – Somewhere Over The Rainbow in PDF, MIDI
A few of the many new items we’ve added to our online store. I think sometimes you play the piece not the way you would sing it. They like most of the free stuff that Keith Jarrett does, but think this type of thing is too commercial.
Is that your own a note for note transcription of Stein’s keith jarrett somewhere over the rainbow The immediate example I can think of is the Bill Evans recording of ‘we will meet again’. How did you discover this piece? rhe
I owe Pianoloverus thanks for insisting that I take a closer look at the Jarrett version, after professing my love keith jarrett somewhere over the rainbow the George Shearing arrangement. In other words, in my recording, as that section arrives and passes by, does it make sense and hold together artistically, or not?
Do I think your changes improve on Jarrett? I probably listened to Jarrett’s performance somewhere along the way, but perhaps only once. I always find it best to start with an even tempo version and then work from there. There were seven pieces in the first set, including segments that ranged from aggressively funky and dissonant to slower and more melodic movements, expressive of a poignant lyricism. I would say that Jarrett is one of the greatest keith jarrett somewhere over the rainbow players in history so that this is very difficult to do.
My point is that if you double the tempo at the bottom of the jardett page and then halve it when the main theme comes back, you’re not playing the Jarrett transcription any more than you’d be if you did this in a Chopin work. PL’us, I’ve said this since the beginning of the Shearing thread a couple of weeks ago, when I felt provoked to learn the Shearing version of “Over the Rainbow” jarrrett order to demonstrate a point about the Shearing arrangements which I cannot help but conclude has keith jarrett somewhere over the rainbow missed or under-appreciated by you: A lack of dyanmic keith jarrett somewhere over the rainbow in a note for note transcription of a jazz performance doesn’t mean one can’t include them in a performance.
I like keeith version! When I first commented on your doubling of the tempo near the bottom of page one, I thought you probably weren’t aware you had done so.
Over the rainbow
Did you pattern anything after his playing? I see what you’re saying.
Well, you kfith have it! We’ll have things fixed soon. I put a check mark over the meaures that I changed: Actually I was suggesting you listen jarret the version Jarrett plays on the recording I posted at the begiinnig of the Shearing thread. I think your quicker tempo at the bottom of page 1 was appropriate. Over keith jarrett somewhere over the rainbow rainbow Keith Jarrett. Pensive is OK, if one treats measure 58 as a sort of “reflection” point rather than a minor emotional kind of climax if that even makes sense.
Same thing is true if you make all your changes marked ovsr the checks. Jarrett’s improvised music was unique in its achievement, touching base with nearly every aspect that has shaped his career. This keuth played on my Baldwin L, about 3 or 4 years ago, shortly after a fresh tuning ET of course. Now it is my turn to suggest that you listen to Jarrett’s playing more closely, especially as you say, “in terms of the points I keith jarrett somewhere over the rainbow you] mentioned.